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Author: Ken
New Woodcut – Sheep Dog
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Sheep Dog- Reduction Woodcut$60.00
I’m working on a new 6 color woodcut.
Layer1
carving back into the block for layer2
layer 2 – hello yellow!!!
Layer light blue
Layer 4 – Grass
Layer 5 – purple
The finished print!!!
This was created using the reduction technique–where each color is printed from the same wood block–effectively destroying the block with each layer. It’s impossible to print more- available in a limited edition of 20.
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Sheep Dog- Reduction Woodcut$60.00
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New Woodcut – Goat In Cornfield
Printmaking season is in full swing! I’m working on my SECOND woodcut of the season.
Layer one of the print–a light blue for the background
Layer 4 – reveal – Light blue, light brown, dark blue and now medium brown
the penultimate layer—just one more time through the press
The finished woodcut!!! Goat In Cornfield!
The printed image is 8×10″ printed on 11×14″ heavyweight, acid free, 100% post consumer recycled paper. Limited Edition of 17New Woodcut – Cat With Camera
Printmaking season is in full swing! I’m working on my FIRST woodcut of the season.
Layer one of the print–a light green for the background
Layer 2 – a light orange
here’s a timelapse as I work through the block–cutting a little bit more for each layer
The final block doesn’t have much surface left- reduction woodcuts are so unique because it’s impossible to go back and print any more.
The finished woodcut!!! Cat with camera!
The printed image is 8×10″ printed on 11×14″ heavyweight, acid free, 100% post consumer recycled paper. Limited Edition of 22New Reduction Linocut – Peace Cat and Bird
I just finished editioning (23 – a nice prime number!) my latest reduction linocut. Since reduction printing is such a unique technique, I wanted to share a few of the steps of the process:
for the first layer, I carved the white parts of the design, then inked the block with the lightest color.
After carving away the area where I want the lightest ink to show (from the same block) I re-ink with the SECOND lightest color, and put the print through the press for a second time.
Between each color, I clean the block off, and carve again to create the block for each layer of color
Here’s layer 3. Hot off the press!
By the end of the process, there isn’t much left of the block–just whatever you need for the final layer of ink
This technique forces the print to be a limited edition, because the process destroys each color block as the print develops.
This print is a limited edition of 23: printed on a heavyweight, acid free, 100% post consumer recycled paper.
Community Scratch Block Casting Project Dedication
Last year, I was honored to have been invited by the Charles T Cotterill Foundation to create a design for a scratch block casting project for downtown Maysville.
The project was led by Jeremy Colbert and executed by his staff and students at the University of Kentucky Sculpture and Metal Arts department
The carving for the art was done by hundreds of Mason County students: from Mason County Intermediate School, and St. Patrick’s School.
My idea for the artwork was: the space where the art is displayed is a gateway
when visitors come to Maysville via boat-the tunnel is the gateway to the city; which is illustrated on the East wall.
when people from Maysville walk to the river – the tunnel is a gateway to the RIVER; Ilustrated on the West wall.
Art brings community together!
It’s been wonderful to work with this amazing group of people.
Maysville has been an inspirational and supportive community that allowed me to live my dream of being a full time artist. It’s been an honor to be a part of such a cool art project in my home town!
Thanks again to the Charles T. Cotterill Foundation and all who made this project possible!New Reduction Linocut – Bear on Bike
Reduction Linocuts are a fun way to print with more than one color, using just one block
You have to do some planning. For the first layer, you carve the white areas away, then print with the lightest color.
Then you carve the block again, removing all the areas where you want the light color to remain.
Continue the process until the design is finished!
Prints using this technique are extra special, because the block for each color is destroyed as part of the process–creating a limited edition that can not ever be re printed.
Would you like to add one of these cuties to your art collection?
Click here for more information
This edition is limited to 25 prints – so get one now before they all pedal away!
New Reduction Linocut – Pig In Corn
It’s been a while since I’ve made a reduction linocut, but this idea of a cute little piggy in a cornfield was stuck in my imagination, and I had to get it out.
this technique is fun, because it lets you make prints with more than one color–using just one block.
after printing each layer of color, I carve a little more from the block to create the next color’s layer. The process destroys the block as you work, making these kinds of prints a special limited edition. There’s no going back if you make a mistake or want to print more.
This print is an edition of 15. If you’d like to add one to your collection, click the image below for more details and information on how to order.
New Reduction Linocut – Pig
It’s been a while since I’ve made a reduction linocut, but this idea of a cute little piggy in a cornfield was stuck in my imagination, and I had to get it out.
this technique is fun, because it lets you make prints with more than one color–using just one block.
after printing each layer of color, I carve a little more from the block to create the next color’s layer. The process destroys the block as you work, making these kinds of prints a special limited edition. There’s no going back if you make a mistake or want to print more.
This print is an edition of 15. If you’d like to add one to your collection, click the image below for more details and information on how to order.
Just arrived home after a week at Arrowmont!
I just got back home after a wonderful week at Arrowmont School of Art and Crafts: ‘considering the teapot’ with Yoko Sekino-Bové.
I need some time to process everything I learned, but in the meantime, here’s a snapshot with 5 of my projects from the workshop.These pots have been fired once, but still need to be glaze fired.
stay tuned and I’ll share more once I get settled back into my home routine.Kiln Firing 15 July 2024
We just took some brand spankin’ new pots out of the kiln
Hand thrown porcelain lidded Jars
click the arrows or swipe to see all 7 Jars
Painted Porcelain cups
another new technique–no carving into the clay, just brushwork on the surface
click the arrows or swipe to see all 7 cups
Sgraffito – classic and multi colored
click the arrows or swipe to see all 9 cups
I don’t ship pots, so you’ll have to come see them in person! I’ll be out of town from July 20-29, so I hope to see you before or after that time!