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Reduction Linocuts are a fun way to print with more than one color, using just one block

You have to do some planning. For the first layer, you carve the white areas away, then print with the lightest color.

Then you carve the block again, removing all the areas where you want the light color to remain.

Continue the process until the design is finished!

Prints using this technique are extra special, because the block for each color is destroyed as part of the process–creating a limited edition that can not ever be re printed.

Would you like to add one of these cuties to your art collection?

Click here for more information

This edition is limited to 25 prints – so get one now before they all pedal away!

It’s been a while since I’ve made a reduction linocut, but this idea of a cute little piggy in a cornfield was stuck in my imagination, and I had to get it out.

this technique is fun, because it lets you make prints with more than one color–using just one block.

after printing each layer of color, I carve a little more from the block to create the next color’s layer. The process destroys the block as you work, making these kinds of prints a special limited edition. There’s no going back if you make a mistake or want to print more.

This print is an edition of 15. If you’d like to add one to your collection, click the image below for more details and information on how to order.

It’s been a while since I’ve made a reduction linocut, but this idea of a cute little piggy in a cornfield was stuck in my imagination, and I had to get it out.

this technique is fun, because it lets you make prints with more than one color–using just one block.

after printing each layer of color, I carve a little more from the block to create the next color’s layer. The process destroys the block as you work, making these kinds of prints a special limited edition. There’s no going back if you make a mistake or want to print more.

This print is an edition of 15. If you’d like to add one to your collection, click the image below for more details and information on how to order.

I have had some feedback that my website needed some attention, and the job is so overwhelming to think about, I have’Quietly’ been making some updates to the website.

Most recently: A gallery of plein air paintings from this spring, which you can see by clicking below

I also added photos of the pottery from my most recent kiln firing. Click below to view:

I recently made a commitment to log out from social media -and to check in only one day each week. My goal is to spend more computer time working on this site-and less hanging out on the socials.

I’m actively working on the site, so please feel free to comment with suggestions of what you would like to see on this website in the future.
Thanks for all your support and hanging in there with me!
Ken

I know better than to celebrate a pot before it’s been through the kiln BUT I’ve had a bumper crop in my cherry trees this year, and I want a photo of my new design with it’s inspiration before the bears eat all the cherries!

Hope you all are having a great day!

oh, pottery break is officially over—stay tuned!!!

I was honored that Mark Errol invited me to Arrowmont School of Arts and Crafts for their #springpentaculum2024 . My idea for the residency was to spend the week studying the ‘boneyard’; a library of unglazed pots that have been left behind by previous instructors. When I took this photo, i had just arrived and had a combination of ‘imposter syndrome’ and being a child in a candy store: so many beautiful ceramic objects to explore!!!

It’s impossible to summarize all the growth that I experienced during that week with a social media post, but I’ll just say, the magic of Arrowmont is something you need to experience in person.

I learned a lot about throwing last week at Arrowmont and made a ”few” New forms. I tried to give as many as I could away, but still have these to deal with. They have been fired once, so I can’t use the underglaze techniques Im familiar with. Time for glaze experiments!!!!

A quick plein air study of the ‘boneyard’ at Arrowmont. They have an impressive collection of unglazed pottery that was made by previous instructors–it’s a learning tool for future students (like me!)

More important than the things I learned was the amazing artists I met and now consider friends!
A million thanks to Mark and Arrowmont for this opportunity!

painting from life – step 1 – work out the composition and values: no colors

step 2 – figure out what colors you want to use, and get them all on the painting- light is changing fast, so you want to capture the moment

step 3 – work out details and keep painting until its finished, OR the light has changed so much its nothing like the painting

every days a good day when you paint 
-Bob Ross

every day is even BETTER when you paint with FRIENDS!!!
-Ken and Dawn Kincaid

Dawn’s painting
Federal Hill
8×10”
oil on canvas

My painting!!!
Federal Hill
6×8”
Oil on Canvas

We chose to paint Federal Hill to bring an artistic flair to the upcoming event to help raise funds to restore the historic property.
Some work local artists (left to right)
Sue Ellen Gorman, Dawn Kincaid, Ken Tucky Swinson + Ruvonna Bevard. Hope you can come see the paintings on 11 May at the event!

Making block print notecards with my dear friend, Barb Clarke. The cards will be offered as part of a fundraiser on may 11 at federal hill in old Washington. The historic property will be open to the public with tours and activities.

I also made some cups

and donated this original oil painting

All proceeds will go toward helping with the restoration of the building. Hope you can make it!